At Home With Herself
April 7th, 2000
April 01, 2000 - Encore Magazine - Elizabeth Owens
Article about the work, life, and future endeavors of artist Deborah Cavenaugh
April 7th, 2000
April 01, 2000 - Encore Magazine - Elizabeth Owens
Article about the work, life, and future endeavors of artist Deborah Cavenaugh
April 1st, 2000
Deborah was chosen as the official Artist of the 2000 Azalea Festival, the largest festival in southeastern US. The art appeared on posters, merchandise, and the Azalea Festival Magazine, pictured here.
February 13th, 2000
February 13, 2000 - The Philadelphia Inquirer - Catherine Quillman.
Ms. Quillman writes an indepth review of Deborah’s One-Woman show at Debottis Gallery, West Chester, PA. “Cavenaugh, a native of Wilmington, N.C, paints in colors and patterns that recall an Eastern European country or a Turkish kilm or perhaps Matisse after a visit to a textile factory”
September 4th, 1999
Published in September of 1999, “Styles by Maggie Sweet” by Judith Minthorn Stacy features the art of Deborah Cavenaugh on its cover. Judith was the winner of the Carolina Novel Award.
September 1st, 1999
An article from the September 1999 issue of Home Magazine features the art of Deborah Cavenaugh
October 1st, 1998
Article from Food & Travel magazine about Billy Cones new book “Sixty Days Under The Influence: A Photo Journal Through France” for which Deborah did illustrations.
September 23rd, 1998
Cover for the Fall 1998 Premier Issue of Health & Beauty Magazine.
March 3rd, 1997
A review of the March 1997 group show at the Annie Boykin Gallery & Wilson Arts Center in NC featuring Deborah Cavenaugh.
“Deborah Cavenaugh, seeking a fluid intensity, approaches the ecstatic clarity of Walter Anderson or Minnie Evans. … The nearly primitive directness of Deborah Cavenaugh … resonate(s) with sincerity and honesty”
November 1st, 1996
November 1, 1996 - National Public Radio - Washington, DC
Deborah Cavenaugh appeared on the Diane Rehm Show as part of series titled “Women at Work”. Ms. Rehm said of Deborah’s work, “The color is so vivid. The brightness in each and every one of these [works] communicates a kind of joy that one doesn’t normally see in paint.”